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#Korg m1 prices Patch
The condition of this Korg MSC-013 Ethnic 2 PCM Data Card is very good and comes with patch listing page- being sold as is because we do not have the proper gear to test. This PCM data card is for the Ethnic 2 Sound Library for use with Korg M1 synthesizer.
#Korg m1 prices pro
We have a large number of guitars, basses, amplifiers, effects, keyboards, percussion, pro audio gear, and much more coming up. We recently acquired the inventory of a large musical instrument retailer. This is the Korg M1 MSC-013 Ethnic 2 PCM Card. Never has the ‘are you sure you want to delete this song?’ dialogue struck such disappointment into the hearts of musicians, until of course Alesis came up with the DataDisk, which allowed the saving of songs on to external floppy disks.Korg M1 MSC-013 Ethnic 2 PCM Data Sound Memory Card For M1 Synthesizer Synth Korg M1 MSC-013 Ethnic 2 PCM Data Sound Memory Card For M1 Synthesizer Synth. Once you’d sequenced up your eight tracks of basses, drums, leads et al, you could sit back in wonder, even allowing for the sequencer to trigger external devices, and hear your time-consuming work in all its glory, but use your notes wisely, because you may well have used up the 7,700 note sequencing limit, meaning that you’d have to delete one of the ten saved songs (note limit allowing!) in order to get on with the next. Tedious and time consuming are two words that might be suitable for the description of this process, but it was all onboard, and you made do, because the end result was worth it. It was firmly a digital reverb, and not what might be regarded as the finest example of such, especially when layered across entire swathes of drums and percussion.īut fear not, you could remove the effects and get on with the key-hole surgery of sequencing an entire song, via the two-line LCD display. These could be liberally applied to just about anything you wished to hear, and layered they were, in copious amounts, reflecting the true 80s trend for big snares, with even bigger reverbs.
#Korg m1 prices full
The M1 started something of a trend, with the full application of multi-effects to the construction of certain sounds. These were fairly usable, but unhelpfully didn’t conform to the up-and-coming General MIDI drum map, allowing for a quick round of ‘where’s the drum?’, as you hunted high and low for that hi-hat. The M1 also offered a serious smattering of hefty drum sounds, accessible via the five-octave touch-sensitive keyboard. Sound 00 was entitled Universe its pad-like digital construct transported you to another dimension, while the ubiquitous Pan Flute and Fretless Bass offered that late 80s date stamp with true aplomb. Pure coincidence, I’m sure, but if you ever have the misfortune to travel this road, you’ll quickly understand why it doesn’t hold the same romance that the boys from Germany might have articulated musically, with their album Autobahn.īut what the M1 did offer was an amazing set of stylised sounds that were nicely categorised into instruments, from number 00 to 99. The first time I encountered the M1, I pondered why Korg decided to name it after a motorway that stretched from the North to the South of the UK. When Korg announced an eight-part multi-timbral synth, with sample PCM based sounds, drums onboard and an eight-track sequencer, and all for around £1,000, you could be forgiven for thinking that Christmas had arrived early, and moreover, you really could produce some serious music on a single machine, from start to finish.
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